Copyright 1989, 2010 by Ronald L. Ecker
All Rights Reserved
"Night of the Dragon's Blood" has been divided into four Web pages, which helps with the downloading time. A "Go to" link at the bottom of each page will take you to the next page.
FADE IN:
EXT. A CENTURIES-OLD CASTLE - NIGHT
The castle is dark and foreboding.
SUPERIMPOSE: "Nazi-Occupied Transylvania, 1944"
Black-uniformed Nazi SCHÜTZES (SS privates) guard the castle.
A four-door sedan arrives in the moonlit courtyard.
INT. THE MAIN HALL - NIGHT
Romanian COUNTESS BORCA, 40-ish, in a red satin gown, looks
livid as she paces. She's attractive in a spooky sort of way.
Schützes stand guard about the hall. An OBERFÜHRER (SS
colonel), 45, is in charge, idly admiring the Countess.
The front door opens. Pudgy SS Obergruppenführer (General)
DORSCH, 55, swaggers into the hall, SCHÜTZE #1 holding the
door for him. All the Nazis snap to attention.
The Countess looks coldly at Dorsch as he joins her, a smirk
on his round porcine face. He doffs his peaked cap.
DORSCH
Countess Borca. I am Obergrup-
penführer Dorsch of the Schutz-
staffel.
COUNTESS
May I ask why the S.S. has invaded
my castle?
DORSCH
To protect you, dear lady. You
must come to no harm. Shall we
sit down?
They sit down at a nearby oak table.
DORSCH (cont'd)
I've searched all Transylvania
for someone like you. I had
almost decided that you didn't
exist.
Dorsch takes out a cigarette case. Opening it, he holds it
out to the Countess.
DORSCH (cont'd)
Care for a Lucky Reich?
COUNTESS
No, thank you.
He notes cunningly that she casts no reflection in a mirror
in the case. She pays no attention.
DORSCH
You do not smoke, Countess Borca?
COUNTESS
No.
He draws her attention to the mirror.
DORSCH
No reflection on you.
She slaps the case from his hand with an upward blow.
Cigarettes fly, the case hits Dorsch in the face.
They both rise in a huff. Then the Countess regains her
composure.
COUNTESS
I am sorry.
She casually steps over to a large, leafy plant, which bears
roselike red flowers.
COUNTESS (cont'd)
I do not like mirrors.
DORSCH
Of course not. You are a vampire.
The Countess smells one of the flowers. Dorsch joins her by
the plant, some Schützes gathering his smokes off the floor.
COUNTESS
Who told you such nonsense?
DORSCH
The local peasants. But I had to be
sure. You know how superstitious
they are.
Dorsch feels one of the plant's branches.
DORSCH (cont'd)
A lovely plant. What is it called?
COUNTESS
Dracaena.
DORSCH
Dracaena? I have never heard of
it. Does it grow only here in
Transylvania?
COUNTESS
Are you here to talk about plants?
DORSCH
Of course not. I am here for one
purpose.
The Oberführer steps forward with Dorsch's cigarette case,
open to show it has been refilled.
OBERFÜHRER
Your cigarettes, sir.
Taking the case, Dorsch notes again with amusement how the
Countess is not reflected in its mirror.
DORSCH
Now you see her, now you don't.
COUNTESS
What do you want of me?
Dorsch re-pockets the case.
DORSCH
You must come with me to Berlin.
COUNTESS
To Berlin? But why?
DORSCH
Because those are my orders.
COUNTESS
I will not go.
DORSCH
You will go.
She turns toward the stairway. Schützes block her way. She
turns to glare at Dorsch.
DORSCH (cont'd)
You cannot escape us.
A beat. The Countess smiles evilly at Dorsch, as if she is
about to do something clever.
DORSCH (cont'd)
Do not try the bat thing I have
seen in the movies. You cannot
fly away.
The Countess transforms into a BIG BLACK BAT.
DORSCH (cont'd)
She is trying the bat thing.
The bat heads for an open window.
OBERFÜHRER
Close that window!
Schützes slam the shutters shut, the bat veers away.
The bat wings toward two Schützes guarding the top of the
stairway. They raise their weapons.
DORSCH
Do not shoot!
The men obey. The bat turns away.
Dorsch watches the bat fly desperately about the room.
DORSCH (cont'd)
Countess Borca, it is useless.
You cannot get away. You might
as well come to roost.
Some batshit lands in Dorsch's face. Schützes try not to
laugh. Dorsch wipes some of the crap from his face with
a handkerchief.
DORSCH (cont'd)
Another bat thing.
EXT. A MANSION - DAY
Luxurious in an upper-class suburb of Lima.
SUPERIMPOSE: "Lima, Peru, 1952"
Two lovely, 30-ish LATINAS come out of the mansion together.
They talk and laugh as they leave.
INT. A SITTING ROOM - DAY
Handsome DIEGO VARA, 32, lies languidly on the couch in a
robe.
The 50-ish butler ALFREDO brings in MCKAY, a 50-ish Britisher
in a business suit, his fedora in hand.
ALFREDO
This is Mister McKay, sir. The man
looking for Hi Hickenlooper.
Alfredo leaves.
MCKAY
Mister Vara.
DIEGO
Excuse me for not getting up. I
have been up for over twenty-four
hours. Why do you need to see Hi?
MCKAY
I've got a job for him.
Diego chuckles.
DIEGO
Hi is hardly in need of a job.
MCKAY
I know. The point is, we are in
need of Hi. But I can't seem to
find him. I thought perhaps you
could help me. I understand you're
his best friend in Lima.
DIEGO
What kind of job is it?
MCKAY
I will discuss that with him.
DIEGO
(beat)
Alfredo! Then you will have to
find him. Good luck.
Alfredo returns.
DIEGO (cont'd)
Show this gentleman out.
MCKAY
What if I said the job involves
Adolf Hitler?
DIEGO
(beat)
Never mind, Alfredo.
Diego sits up as Alfredo leaves.
DIEGO (cont'd)
Who do you work for?
McKay strolls over to a display of Peruvian Indian pottery.
MCKAY
Let's just say I work for Western
intelligence. Can you tell me
where Hi is?
Diego rises. He walks over to join McKay by the pottery.
DIEGO
I'm afraid he is in tristeza.
McKay picks up one of the pottery pieces.
MCKAY
Tristeza. Is that far from here?
DIEGO
I mean he is in mourning.
Diego looks proudly at the piece that McKay scrutinizes in
his hand. It features two human figures copulating.
MCKAY
Pornographic pottery?
DIEGO
Pre-Columbian. This piece is a
priceless antiquity.
McKay closely regards it in his hand.
MCKAY
Hi is in mourning for whom?
DIEGO
Eva Perón. She just died of cancer
in Argentina.
MCKAY
I know. What does she have to do
with Hi?
DIEGO
Everything. Hi and Eva Duarte were
lovers, before she ditched him for
Juan Perón.
McKay is so stunned that he drops the pottery. It shatters
on the floor. They both look down at it.
MCKAY
I'm sorry, I . . .
McKay bends down as if to pick up the pieces.
DIEGO
Leave it for the butler.
McKay straightens up again.
MCKAY
Tell him to try Elmer's Glue.
(beat; musingly)
Hi and Eva Perón were lovers?
Diego looks crushed about the pottery.
DIEGO
Before she married Juan. Hi never
got over her. He started drinking.
He hasn't stopped. Now he has lost
her forever.
McKay gazes thoughtfully into space.
MCKAY
I'm afraid this could complicate
matters.
DIEGO
Hi's drinking?
MCKAY
No. His relationship with Eva.
Diego looks down sadly at the destroyed pottery.
DIEGO
The finest damn piece in the world.
McKay looks at Diego.
MCKAY
Eva Perón?
DIEGO
No. This pottery.
MCKAY
Oh. I said I was sorry.
DIEGO
I ought to smash your face in,
McKay. Alfredo!
MCKAY
Where is Hi, Mister Vara?
DIEGO
In Buenos Aires, for the funeral.
If they are ever going to have it.
Alfredo comes in. He sees the shattered pottery.
ALFREDO
My God. What happened, sir?
DIEGO
Do we have any Elmer's Glue?
INT. ARGENTINE LABOR MINISTRY - AN UPPER LOBBY - NIGHT
Eva's CORPSE lies in a closed coffin, the MOURNERS who file
past viewing her through glass in the lid.
Handsome HI HICKENLOOPER, 34, moves in the line. He looks
sadly, lovingly, at Eva for the brief moment that he has.
EXT. A BUENOS AIRES STREET - NIGHT
Hi walks morosely along the street. (He always has a little
spring in his gait, due to a slight clubfoot.) PASSERSBY
look mournful. There are wreaths on the lampposts.
Following Hi, as if for some sinister purpose, is SOTO, 42,
a trim, mustached Latino in a pin-striped suit and fedora.
INT. CUCO'S CABARET - NIGHT
A modest but respectable nightclub. A 30-ish female CABARET
SINGER, accompanied by PIANO PLAYER #1, sings a sad song
for the joyless PATRONS.
Hi sits somberly at the bar. The BARTENDER, 35, brings him
a scotch on the rocks.
HI
The place hasn't changed much.
Except for the singer.
BARTENDER
When were you here last?
HI
Ten years ago.
BARTENDER
You ought to come around more often.
Soto, watching Hi, sits alone at a table. Soto lights a
cigarette as WAITER #1 serves him a drink.
Hi, sipping his scotch, gazes wistfully at the singer in
the large mirror behind the bar.
FLASHBACK - INT. THE CABARET - NIGHT (1942)
Brunette EVA DUARTE, 23, accompanied by PIANO
PLAYER #2, sings a bluesy love ballad (written by
the screenwriter), in English and badly off key, for the
PATRONS.
EVA
(sings horribly)
Like a castaway at sea, / I was
drifting aimlessly, / So alone
and so far from any shore . . .
Sharply dressed Hi, 24, sits watching and listening at a
table. He looks like he's fallen in love. Eva eyes him
flirtaciously as she murders the song.
30-ish WAITER #2 brings Hi his drink.
HI
What's her name?
WAITER #2
Eva Duarte. She is an unemployed
actress, filling in for our regular
singer.
HI
She doesn't sing very well.
WAITER #2
We have found that out. She was
hired because the boss likes her
looks.
The waiter moves off.
HI
So do I.
LATER
Eva joins Hi at his table, where a drink is already in place
for her.
While they speak, Eva accepts a cigarette, Hi lights it, then
lights his own.
EVA
I'm Eva.
HI
I'm Hi.
EVA
Hi, Hi.
HI
Hi.
EVA
You are North American?
HI
Yeah.
EVA
Why aren't you fighting in the war?
HI
Got a clubfoot. You wouldn't know
it, though.
EVA
I would like to see it sometime.
HI
You show me your feet, I'll show
you mine.
EVA
What do you do, Hi?
HI
I look for lost cities.
EVA
Really? How many have you found?
HI
None so far.
EVA
How long can you afford to keep
looking?
HI
It's not out of my pocket. My dad
dreams of finding El Dorado or the
next Machu Picchu. There's always
the chance.
EVA
He is wealthy?
HI
You've heard of Hickenlooper Foods?
EVA
Yes. I think I have a can or two
at home. Baked beans or something.
HI
That's my dad. It all started with
a hamburger stand.
EVA
Where do you look for lost cities?
HI
The Amazon jungle. I work out of
Lima. Came down to B.A. for a
break.
EVA
I'm glad that you did.
HI
So am I. You speak English well.
I like to watch you speak it.
EVA
Thank you. I know all the slang
words, like "cool" and "dig" and
"go ape."
HI
Know any real dirty ones?
EVA
Sure. Want to hear one?
HI
Let's talk dirty later. What time
do you get off work?
INT. CABARET - NIGHT
Hi sits remembering at the bar as before.
BARTENDER
Would you like a refill?
HI
Make it a double.
Hi notes Soto in the mirror behind the bar, looking at Hi
from his table. Hi notes how Soto averts his eyes and tries
to obscure his face with his hand, holding a lit cigarette.
A WOMAN enters. She is dressed in black, but for the moment
she is seen only from about the knees down. She walks slowly
forward in black stylish shoes.
Hi studies Soto in the mirror, then turns with a casual air
to look over the room.
Hi now sees the woman. In her black as if in mourning, her
face pale behind a thin veil, she stands near the middle of
the room, looking the place over as if with nostalgia.
She looks a lot like Eva behind the veil.
Hi, staring at her, pays no attention to the man standing
behind her - a large blonde German, pale but muscular, about
40, in a business suit and hat. (He is WOLFGANG.)
When the woman sees Hi, her eyes widen. She turns quickly to
leave. Wolfgang calmly turns to follow.
Hi heads after her. His way is briefly blocked by a group of
patrons, then he makes it to the door.
EXT. CABARET - NIGHT
Hurrying outside, Hi looks around in light fog, as a few
PEOPLE pass. Hi sees no sign of the woman.
Hi thinks, then quickly moves off. Soto comes out of the
cabaret and looks off after Hi. Soto follows him.
INT. LABOR MINISTRY BUILDING - A STAIRWAY - NIGHT
Mourners stand in line on the stairway. Hi comes hurrying
past them up the steps.
INT. UPPER LOBBY - NIGHT
Hi breaks in line at Eva's coffin. Hi hurriedly studies the
corpse he viewed earlier.
POLICEMEN #1 and #2 grab Hi by the arms.
HI
It's not her.
Hi smiles as the policemen tote him away, mourners watching
and listening.
HI (cont'd)
She's alive. It's not her.
EXT. A BUENOS AIRES STREET - NIGHT
The fog now is thicker. JORGE, a 50-ish, well-tailored
gentleman, stops to light a cigarette as he walks. Few
PEOPLE are about.
Jorge walks, then stops again. Down the street he sees a
WOMAN IN BLACK, leaning alone against a wall, looking off.
The woman's features are not clear in the darkness and fog,
yet she is obviously the same Eva whom Hi saw earlier, now
minus the veil.
Jorge approaches her. She continues looking off, not giving
him a full view of her features. But what he does see, the
remarkable resemblance to Evita Perón, clearly amazes him.
JORGE
I am Jorge. Who are you?
EVA
María.
JORGE
How much would you cost me, María?
EVA
One thousand pesos.
JORGE
It's a deal.
Eva walks away (in the same black stylish shoes seen at
Cuco's), in a manner clearly inviting Jorge to follow. He
follows.
Wolfgang calmly steps from around a corner and follows too.
INT. A HOTEL ROOM - NIGHT
On the bed, nude Eva, advancing from the foot of the bed,
kisses Jorge's nude body till she reaches his neck. She's
holding down his arms.
Eva opens her mouth, exposing sharp canines, out of Jorge's
view. Eva starts biting his neck.
JORGE
It feels like you're biting my neck.
Two streams of blood flow down the side of the bedsheet.
JORGE (cont'd)
You're not actually biting, though,
are you? Of course not. You're
just nibbling, right?
Eva props up on her hands over Jorge. To his horror, there
is blood on her lips. She licks them, and a drop hits his
chest.
JORGE (cont'd)
What have you done?
Eva quickly rises to dress.
JORGE (cont'd)
What are you?
While Eva dresses, Jorge rises and goes to a mirror. He
gasps at the sight of the two bloody holes in his neck.
He doesn't see Eva in the mirror. Turning, he sees her
still dressing.
JORGE (cont'd)
My God.
Jorge quickly gets a handkerchief from his pants on the floor.
EVA
I'm sorry. There should be no
effect. One quickie, as they
say, doesn't do it.
Jorge presses the handkerchief to his wounds.
JORGE
No effect? What about these
holes in my neck?
EVA
I am sorry. They will heal.
Jorge looks in the mirror again at the holes. When he turns
again, Eva is gone.
On a table he sees his one thousand pesos. He goes over and
picks up the money. He looks mad.
JORGE
She wasn't even a whore.
EXT. HI'S RENTED BUNGALOW - NIGHT
Dense fog.
INT. LIVING ROOM - NIGHT
Hi sits thoughtfully finishing off a scotch. There are
knocks at the door. Hi gets up and goes to the door.
HI
Who is it?
DIEGO (O.S.)
(outside)
Diego.
Hi unlocks the door and opens it. He greets Diego and McKay
with handshakes as they come in.
HI
Hello, amigo.
DIEGO
Nice little place.
HI
I had to rent on short notice. Are
you staying here or - ?
DIEGO
We checked in at the Corrientes
Hotel. This is the British agent
I wired you about.
MCKAY
McKay.
HI
You work for M.I. Six?
MCKAY
Let us say there is more than one
nation concerned with the subject
at hand. I am here on the free
world's behalf.
HI
Fair enough. What are you guys
drinking?
DIEGO
A Bloody Mary for me.
MCKAY
Brandy, if you have it.
Hi starts fixing drinks.
HI
Diego, you'll never guess what
happened tonight.
DIEGO
You saw a flying saucer.
HI
Something stranger than that.
DIEGO
What was it?
HI
Let's hear from our English friend
first. I want to know about this
job involving Adolf Hitler.
Reaching into his coat, McKay walks over to Hi. McKay hands
him a photo of Countess Borca.
MCKAY
Countess Borca of Romania.
Transylvania, to be exact.
HI
Not bad. Transylvania, eh? She
looks like a vampire.
MCKAY
She is - or was. She was the talk
of Transylvania.
Hi, clearly skeptical, returns the photo, which McKay hands
to Diego.
HI
And this vampire has something to
do with the Führer?
MCKAY
In nineteen forty-four, she was
taken to Berlin by Hitler's elite
guard, the S.S.
Hi hands McKay his brandy.
HI
I suppose you're going to tell me
that the Führer had this lady put
the bite on him.
MCKAY
Exactly. For the Führer, to
become a vampire was to become
immortal. Losing the war would
be losing one battle. He would
live to fight again.
Diego returns the photo to McKay.
HI
This is all a bit hard to believe.
MCKAY
Truth, as they say, is stranger
than fiction.
HI
On occasion. Where is Hitler now?
Hi hands Diego his drink.
MCKAY
Somewhere in the Amazon jungle.
We know he has already contacted
a few South American leaders.
HI
What did he tell 'em? He'd like
to have their countries?
MCKAY
His aim is to rule first South
America, then the world, through
bribery - by offering world leaders
something far more precious than
power or gold. Immortality.
HI
You've got to be kidding.
Hi takes a sip of his scotch.
MCKAY
His first South American contact
was Juan Perón.
Hi gets scotch down his windpipe and coughs.
HI
Wait a minute. Did this involve
Eva?
DIEGO
You okay?
Hi nods "yes," but coughs wetly. He yanks out a handkerchief
for his running nose.
MCKAY
We know that Eva Perón traveled,
as her husband's emissary, to
Hitler's secret jungle headquarters.
Now Hi can't stop coughing.
MCKAY (cont'd)
She never returned.
Hi acts like he's going to strangle.
MCKAY (cont'd)
According to our Argentine sources . . .
Hi reels into the bathroom.
MCKAY (cont'd)
. . . Perón believes she fell
for the Führer.
Hi (o.s.) throws up. The toilet flushes, McKay and Diego
waiting.
Hi returns, over the coughing, but breathing heavily, wiping
his tearing eyes, trying to clear his throat. He still has the
glass of scotch.
HI
Eva became a vampire?
MCKAY
That would seem likely. And Perón
faked her death, to cover up the
humiliating truth of her absence.
HI
You're right about one thing.
That's not her body in the
ministry. I saw her tonight,
Diego. In downtown B.A.
MCKAY
Who was she with?
HI
One man, I think. I didn't pay
much attention. I was staring at
her. In shock. Then she ran.
DIEGO
Where did this happen?
HI
Cuco's Cabaret.
MCKAY
(beat)
Back to Adolf Hitler. Here's
the proposition. We need your
assistance. No other man in the
world knows the Amazon jungle as
well as you.
Hi smiles cynically.
HI
So all my fruitless lost-city
expeditions have paid off, eh?
MCKAY
You're the logical choice to help
lead a special team.
HI
And I'm good for something after
all.
Hi sips his scotch.
MCKAY
You also speak German, should we
need it, so you fill that slot
as well. We must destroy him -
destroy, before it starts, his
vampire empire. We must save the
world from Hitler Part Two.
HI
I sure thought we had him at the
end of Part One.
MCKAY
That's why the world must never
know that we didn't. It would
detract from the free world's
hard-fought victory. This mission
is therefore top secret, now and
forever. What do you say?
HI
(beat)
You want me to help you go in and
really get Hitler.
Hitler finishes off his scotch.
MCKAY
Liquidation of him and his vampire
henchmen. We don't know how many.
HI
I'd do it with relish. But what
about Eva?
DIEGO
If Eva is with him, what is she
doing in Buenos Aires? That is,
if it was really her you saw.
HI
I saw her, Diego. I'd like to
think she walked into Cuco's - the
place where we met - just to see
it again.
Hi heads for the bar for a refill.
MCKAY
(aside to Diego)
What maudlin crap.
HI
What did you say?
MCKAY
I said, "We mustn't dawdle, old
chap."
HI
Yeah? Don't try to rush me into
a Hitler hunt.
Hi walks over to McKay.
HI (cont'd)
I won't do anything that might
endanger Eva. And you know what?
Neither will you.
A beat as they stare at each other.
MCKAY
I don't wish to rush you, Mister
Hickenlooper. Sleep on what we've
discussed. We'll talk more in the
morning.
HI
Tell me this. How can you be sure
that Eva's been staying in the
jungle with Hitler?
MCKAY
I can't be sure. But that's where
she went to meet with the damnable
creature. By way of Manaus,
Brazil, to a destination unknown
even to her. She never came back.
HI
Well you're wrong about her not
coming back. I've seen her. I
guess she got homesick.
MCKAY
(beat)
Perhaps.
McKay finishes his brandy. As he sets down the glass,
MCKAY (cont'd)
I'll need your answer tomorrow. Or
we'll have to go to Plan B. A
couple of explorers named Bates and
Crowley.
Hi smiles.
HI
If you can find them. Right now
Bates and Crowley are in the jungle
somewhere in Brazil.
MCKAY
What are they doing there?
HI
Trying to find a lost city before
I do.
EXT. THE BUNGALOW - NIGHT
The fog is thicker.
INT. LIVING ROOM - NIGHT
Half-drunk Hi, his two visitors gone, sits drinking on the
couch, a bottle of scotch, about three quarters empty, on
the coffee table.
HI
Eva a vampire. With Hitler. Eva,
how could you do it?
Hi swigs, then sadly looks off.
HI (cont'd)
Remember the last time we made
love?
FLASHBACK - INT. A NICE HOTEL ROOM - NIGHT
Hi and Eva, who is now a blonde, make love in bed.
INT. BUNGALOW - LIVING ROOM - NIGHT
Hi morosely gazes off.
HI
Remember when we smoked together
afterwards?
OVERLAP SOUND:
HI (V.O.)
I don't believe what you're saying.
FLASHBACK - INT. HOTEL ROOM - NIGHT
Hi looks incredulously at Eva as they lie smoking cigarettes
in bed.
HI
You're going to marry Juan Perón?
EVA
He asked me. I said yes.
HI
And give up your acting career?
EVA
Yes, what there is of it.
HI
You've picked a fine time to tell
me you're getting married.
EVA
I would have told you before, but
I wanted to make love with you one
more time.
HI
I'm really that good, eh? Then
what's this shit about Perón?
Hi crushes out his cigarette in a bedside ashtray.
EVA
Please understand, Hi. It's been
wonderful what we've had together.
But I must think of the future.
Eva takes a long drag on her cigarette.
HI
Don't suck on that thing. Talk
to me.
Eva lets Hi take the cigarette.
HI (cont'd)
What do you mean "think of the
future"? You think I can't
provide for you? I'm my father's
sole heir.
Hi puts the cigarette on the rim of the ashtray, and turns
back to Eva. The cigarette falls on the floor.
EVA
It's not about money. Juan is a
colonel. He is also Minister of
War. With luck, or a coup, he
could be the next president.
HI
Eva, I thought you loved me and -
EVA
I do love you, Hi. But you have
your lost cities to look for, and -
HI
Forget the lost cities. There's
not even one out there.
Hi and Eva are unaware of the cigarette catching the shag
carpet on fire.
HI (cont'd)
We'll go live in the states. I
didn't want this job anyway.
EVA
What did you really want to do, Hi?
The fire spreads on the floor by the bed.
HI
I had no idea. That's why I
majored in English. Dad thought I
was majoring in business. But I
dreaded having to run that damn
food company. Then I found you.
As long as we're together, I -
EVA
This is my home, Hi. My people.
I don't want to leave Argentina.
Smoke is rising by the bed, Hi and Eva not noticing.
HI
Okay, we'll stay in Argentina. If
Dad disinherits me, so what? I'll
still have you.
EVA
What would you do here?
HI
Anything. I'll get a job teaching
English. I'll drive a taxicab.
EVA
I'm sorry, Hi. My future is with
Juan.
INT. BUNGALOW - LIVING ROOM - NIGHT
Hi sadly remembers as he drinks.
HI
That night we stood together for
the last time . . .
FLASHBACK - EXT. HOTEL - NIGHT
Hi, Eva, and other SPECTATORS stand watching the hotel burn
down. Hi is dressed in a bedsheet, Eva in a blanket.
SPECTATOR
Did everyone get out?
HI
Yes. Luckily I spotted the fire
in time.
Hi looks forlornly at Eva, who watches the fire.
HI (cont'd)
But this is one catastrophic loss.
INT. BUNGALOW - LIVING ROOM - NIGHT
Hi slugs down some more scotch.
EXT. REAR PATIO - NIGHT
Dark and foggy.
INT. LIVING ROOM - NIGHT
The bottle on the coffee table is now empty.
Hi lies semiconscious on the couch.
HI
Eva . . . God, if I don't find a
lost city soon, Bates and Crowley
will beat me to it . . .
EXT. PATIO - NIGHT
In the dark and fog, a large BAT lands on the patio.
INT. LIVING ROOM - NIGHT
Hi lies asleep, still clothed, on the couch.
A shadowy INTRUDER enters from the patio, and approaches
sleeping Hi. The intruder's shadow falls over him.
The intruder reaches down and grabs Hi by the collar with
one hand, Hi awaking.
The intruder powerfully lifts Hi to his feet with one hand.
It is Wolfgang, still in coat and tie. Hi punches Wolfgang
in the gut. Wolfgang just smiles.
Hi grabs the empty bottle from the table and smashes it over
Wolfgang's head. This seems to make Wolfgang mad.
Hi, still held by his collar, draws back a fist as if to
punch the oaf in the face, but then seems to think better
of it.
HI
Okay, you win.
Wolfgang pulls Hi close by the collar, to stare him hard in
the eye. Hi looks defiant.
HI (cont'd)
If you're here to kill me, get it
over with.
WOLFGANG
Someone wishes to see you. Perhaps
I can kill you later. I don't like
being hit with a bottle.
EXT. A SECLUDED MANSION - NIGHT
Darkness and fog. A car arrives in front.
EXT. A WINDOW - NIGHT
It appears to be Eva who peeks out from a curtained window.
EXT. CAR - NIGHT
Hi wears a blindfold as he and driver Wolfgang get out.
INT. MANSION - A STUDY - NIGHT
Eva, in black, steps to a wall mirror to check her hair, only
to be reminded that she has no reflection.
Adjusting one of her earrings, which have wooden pendants,
Eva moves to an easy chair.
Sitting down, she lights a cigarette, then strikes a calm pose.
Hi, blindfold off, walks in. Wolfgang stays outside, closing
the door.
EVA
Hello, Hi.
Seeing Eva again, Hi seems to hold in his emotion. He sits
down in an easy chair across from hers.
HI
Hello, Eva. What brings you out of
the jungle?
EVA
You know that much already?
HI
Yeah. A little bat told me. Just
visiting?
EVA
Yes. I missed Buenos Aires. It was
such a surprise to run into you.
HI
You were surprised?
Hi watches her lovely lips blow out smoke.
HI (cont'd)
You ought to quit smoking. It'll
shorten your life.
EVA
How did you quit?
HI
I took up drinking instead. Who's
the clown with you?
EVA
His name is Wolfgang. S.S. He is
assigned to protect me.
HI
A vampire too, I take it. Strong
as an ox.
EVA
Everyone out there with Adolf is
a vampire. Hi, what are you doing
in Argentina? So far from lost
cities.
HI
I'm here for the funeral. Haven't
you heard? You're dead. Everybody's
in mourning. That's right, I forgot,
you were in mourning too. At Cuco's.
EVA
You must forget about me. Life
must go on.
HI
They even fooled me with the body.
The first time. But then tonight
I saw it. One mistake.
EVA
What?
HI
They forgot the tiny wart.
Eva touches a little wart below her jaw.
HI (cont'd)
Nobody's perfect. But you were
so close.
Hi rises to pace, getting mad now.
HI (cont'd)
You fell for the Führer?
EVA
Not really. He did the falling.
I was so sick of Juan.
HI
What's wrong with Juan?
EVA
What isn't? The worst thing is, I
found out he has a young mistress.
HI
Was that really a surprise, even
though he has you?
EVA
She's thirteen years old.
HI
Now that's a surprise.
EVA
I confronted him. I said, "She's
thirteen." He said her age is no
problem, he's not superstitious.
HI
That's sick.
EVA
You said it. Then I met the
Führer. He offered me immortal
power.
HI
That's sick too. But pretty hard
to turn down, eh? You're really
on a power kick.
EVA
I was. I should have stuck with my
acting career. And you. But I
did do some good for my country.
Till I met him.
HI
What happened to his first Eva?
Braun.
EVA
She didn't want to be a vampire. So
he left her to die - supposedly with
him - in the bunker.
HI
Nice guy. You can't be in love
with him. Can you?
EVA
Of course not. I'm ashamed to be
with him. I can't get far enough
away from him. I've moved my
quarters to the bottom floor of our
building. I told him that I don't
like heights.
HI
You can really pick 'em, Eva.
EVA
I picked you, didn't I? That
proves I can do something right.
HI
Then do something right now. Why
go back to him?
EVA
(loudly)
What choice do I have?
She glances toward the closed door, as if suspecting that
Wolfgang is listening.
Crushing out her cigarette, Eva rises to pace, speaking
quietly again.
EVA (cont'd)
Do you think Adolf would let me
leave and not return? Do you
think he sends Wolfgang only to
protect me? No.
She stops by a wall painting, a portrait of herself as first
lady. She wistfully regards it.
EVA (cont'd)
There is no other place for me.
Not now. I've made the mother of
all mistakes. But I had to see
Argentina again.
HI
Maybe get a little Argentine blood?
(on her look)
Sorry.
EVA
Don't come after us, Hi. Please.
HI
Concerned for my health?
EVA
Yes. I didn't stop loving you
when I married Juan.
HI
You might as well have.
EVA
And you didn't stop loving me.
HI
No, I didn't.
EVA
May I kiss you goodbye?
She walks over to him. They gaze into each other's eyes.
Her lips move toward his.
HI
Just don't go for the neck.
While they kiss, Hi half-opens his eyes, looking for some
reason at Eva's earring with its wooden pendant.
Their lips part. Their eyes lock longingly, then,
EVA
Goodbye.
She moves off toward the door, Hi watching her.
Go to Part 2Return to beginning of script